The poem is composed of free unrhymed verse in a single stanza. Anneanne Tells Me Beyza Ozer 67. In her poem "Super Orphan," Asghar once again explores the impact of their absence. The cultural memory that lives in the speakers body is inescapable, but rather than run from it, she faces it boldly, writes it down, and shares it. / A man? And again, in The Last Summer of Innocence, questions of the role of the body, and of gender norms, resurface. These inheritances seep from country to country, body to body, and word to word, generating animosity and division. Yasmin Adele Majeed is the editorial coordinator for the Asian American Writers Workshop. Kal means shesdancing at my wedding not-yet come. Her father was from Pakistan. The text, formed from the scraps of a burned notebook chronicling a circuitous reverse diaspora, is deliberately fragmented and refuses easy interpretation. In an unofficial manifesto, their Call for Necessary Craft and Practice, Dark Noise urges writers and artists to join them in a shared creative practice that is anti-capitalist, anti-racist, and refuses to turn away from the unjust political times we find ourselves in. The document recognizes the poet as someone whose work is inevitably tied to power and profit. Largely autobiographical, the poems in this collection link together Asghars coming-of-age as a queer Pakistani American woman in post-9/11 America to the Partition of India and occupation of Kashmir, where her late parents were from, to the present day in the U.S. under Trump. 112 W 27th Street, Suite 600 In the same poem, the speakers sister defies Islamic law by shaving her arms, and Asghar writes in response, Haram, I hissed, but too wanted to be bare / armed & smooth, skin gentle & worthy / of touch. That is, until the sisters body betrays her with an ingrown hair that lands her in the hospital. In Asghar's work, Partition becomes the wound that wounds all wounds. they say it so often, it must be your name now, stranger. revealed to be a white man writing under a Chinese womans name. Fatimah Asghar is a Pakistani-Kashmiri-American poet and screenwriter and the author of If They Come for Us., https://www.nytimes.com/2019/02/08/magazine/poem-howd-your-parents-die-again.html. That playfulness is central to the book, and appears through inventive formal choicesthere are poems written in the form of pop quizzes, film treatments, crossword clues, and bingo scorecards, in which each box contains a different example of casual racism, i.e. And yet, even when were told some of these memories and experiences are not the the speakers, they still are, somehow. Fatimah Asghar is a Pakistani, Kashmiri, Muslim American writer. Selected by Rita Dove. Please choose below to continue. [17], When We Were Sisters was longlisted for the inaugural Carol Shields Prize for Fiction in 2023.[18]. I think we are at war! I copy-catted from Frances who whispered it when the teachers got silent. Examples include both visual and verbal instances, like the first square, which reads, White girl wearing a bindi at music festival, and another on the bottom row where an unnamed speaker says, I love hanging out with your family. Fatimah Asghar is a South Asian American poet and screenwriter. in your family's house, you: runaway dog turned wild. Recent poems about pregnancy, birth, and being a mother. I am four, sitting in a patch of grass I copy -catted from Frances who whispered it when the teachers got silent. She has also had her writing featured on outlets like PBS, NPR, and Teen Vogue. Their dirge, my every-mornings minaret. Can't blame me for taking a good idea. After the Orlando Shooting Juniper Cruz 65. After great pain. One Partition poem swings between 1947 to the present day, collapsing time in a way that illuminates the ways what happened then affects her now: 1993: summer in New York City just in case, I hear her say. But as important as those revelations and experiences are, the feeling Im left with after reading through these difficult but necessary poems is one of optimism. the sweet, rich scent, / the cream and white of the magnolia blossom. Their experiences mirror the game: move into any squarein any direction on the board, and a microaggression takes place; the only safe haven on the board sits in the center: Home. Fatimah Asghar's brilliant offering is a dexterous blend of Old World endurance and New World bravado. Smell is the Last Memory to Go Jamila gets me through everything. Hindi na ibinalik / ng mga dayo ang kinuhang / lupain | The settlers never returned / the land they grabbed. Everyone always tries to theft, bring them back out the grave. Mercedes Zapata. Main Na Bhoolunga. "People talk about genre like it's so stringent," she says. is a navigation of home and family, religion and sexuality, history and love. Critics have often noted the gap between the staggering violence of Partitionwhich displaced over 14 million people and whose death toll is estimated to be 2 millionand its representation in literature. The cultural memory is lodged in the speaker like a knifeone that she may not be able to remove, but one that she could choose not to twist. If They Come For Us is a navigation of home and family, religion and sexuality, history and love. Where I . In America, the place that is ostensibly home, the speaker faces that rejection both in her family life and in society at large. Oil serves as the flimsy motivation for the invasion of Iraq, and also a stand-in for everything Asghar has lost as an orphan and as a brown girl during the War on Terror. This data is anonymized, and will not be used for marketing purposes. It is a deliberate rejection of a colonial logic, but its not always a successful gesture. The experience of reading Fatimah Asghar's debut book of poems, If They Come For Us, is one of being gripped by the shoulders and shaken awake; of having your eyelids pinned open and unable to blink. What does it mean for a land to be compromised or torn apartfor the soil to be severed and the Earth divided? How we master the forms we choose to write in and speak back to our own traditions is a personal choice, writes Momtaza Mehri in her critical defense of instagram poets like Rupi Kaur, who is often accused of commodifying trauma and her own marginalization as a brown woman. The body isnt home to an uncontaminated stagnant bloodstream, but to one that is continually ferrying a variety of substances. With uniquely crafted poems which take the form of floor plans, bingo boards, and crossword puzzles, she shows her audience what it feels like to be constantly told that you dont belongwhat it means to feel threatened, yet confidentin a world torn apart by marginalization. Fatimah Asghar is a South Asian American poet and screenwriter. Blood versus oil, the girl she knows herself to be versus the political self, victimized by the state. Poet, screenwriter, educator, and performer Fatimah Asghar is a South-Asian American Muslim writer. She's told her family is from Afghanistan; she is shy and afraid to speak to the other students; their slang {The Bomb}, is not something to repeat, it shares a more sinister meaning to her. As though I told you how the first time. The If They Come For Us ends with an honest declaration of love and appreciationloyalty and unwavering commitmentto the many communities she wholeheartedly identifies with: my country is made / in my peoples image / if they come for you they / come for me too in the dead. Paying homage to all her familywhether they be blood relatives or friendsAsghar celebrates the communities shes battled with, fought against, and finally embraced. Fatimah Asghars brilliant offering is a dexterous blend of Old World endurance and New World bravado. Her uncle described how the family was forced to leave Kashmir for Lahore and told her about the impact of being refugees in a new land affected them. Her selfhood is foreclosed by 9/11 and the resulting culture of fear and xenophobia: the ship sinks, her blood clots. A member of the Dark Noise Collective, Asghar has received fellowships from Kundiman, the Fulbright Foundation, and the Poetry Foundation. How has climate change changed the way we write poetry? Every nonhuman living thing is held captive by our actions. But, through these inheritances, there is also care and comfort, sweetness and love, that provide structure to our identities, bodies, and imaginations: For the fire my people my people / the long years weve survived the long / years yet to come I see you map / my sky the light your lantern long / ahead & I follow I follow., The Nassau Literary Review5534 Frist CenterPrinceton, NJ 08544. Even now, you dont get it. Blood is an unwieldy metaphor. Thank you for your support. my country is made / in my peoples image / if they come for you they / come for me too, she writes. Along with poets Jamila Woods, Nate Marshall, Aaron Samuels, Franny Choi, and Danez Smith, Asghar is a member of Dark Noise, a multiracial poetry collective whose work addresses shared themes of intergenerational trauma, racial injustice, and queer identity. She is the author of the full-length collection If They Come For Us (One World/ Random House, 2018) and the chapbook After (YesYes Books, 2015). One quick perusal through the shelves of world literature in any bookstore confirms just what the literary world wants to see from writers of color and writers from developing nations: trauma, she writes. Freedom Bar Asnia Asim 71. As a person of color and daughter of immigrants, I feel empowered by her recognition of insecurity and embodiment of history as a constellation of many perspectives. I collect words where I find them. This page is not available in other languages. Asghars book is many things: defiant, subversive, grief-stricken, angrybut its also full of things like bravery, friendship, family, and love. It first appeared in Poetry Magazine in 2017. Partition, the 1947 cleaving of British-ruled India into three separate countries, India, Pakistan, and now-Bangladesh, serves as the central trauma of the collection. opens with the lines: Again? One of the collections several Partition poems begins with a riff on the Beyonc song (If I say the word enough I can write myself out of it: / like the driver rolling down that partition, please). Zhang pointed to the lose-lose situation writers of color face: Pander to the white literary establishment by exploiting trauma for publication, or risk being ignored and silenced. The speakers feeling of un-belonging continues even at home, as she comes of age without the guidance of a mother and father. Learning about her family's firsthand experience during partition had a profound effect on Asghar and her work. Tomorrow means I might. The towers fell two weeks, I know that words not meant for me but I collect words, where I find them. ""I've been constantly thinking about it, and looking back into it and trying to understand exactly what happened," she said in 2018. youre indian until they draw a border through punjab youre american until the towers fall. Just my body & all its oil, she writes near the end of the poem, summing up her alienation from a body brutally marked by race and war. Fatimah Asghar is a contemporary poet and filmmaker. His body is sent to Pakistan. As the poem progresses, Asghar becomes further distanced from the events, seeming to remember less and less. Asghar's identity as an orphan is a major theme in her work, her poem "How'd Your Parents Die Again?" Home is the first grave. A homeland, even one never seen, sticks in her blood; the trauma endured by her ancestors lives within her DNA. Sometimes, English needs to be broken, according to poet Fatimah Asghar. She motions readers like myself towards a more compassionate understanding of history which has been narrated by vagueness beyond a 300-word synopsis that tries to encapsulate an intricately layered pastand a realization that violence can live through generations. I read another poem of Fatimah's, entitled, "Oil," and in it, she speaks about what it was like for her as a child after 9/11. these are my people & I findthem on the street & shadowthrough any wild all wildmy people my peoplea dance of strangers in my bloodthe old womans sari dissolving to windbindi a new moon on her foreheadI claim her my NCTE, Common Core, & National Core Arts Standards. scraped wrists & steady poundinghis eyes wide, untilhe stopped making a sound. Threads of embodying courage in the face of danger are woven into the anthology, building on Asghars initial juxtaposition of death and resilience in For Peshawar'' and Gazebo. Asghar, who has a fierce reputation of wielding words packed with sharpness and intelligence, likewise challenges the conventional practices of writing poetry. Smell Is the Last Memory to Go Fatimah Asghar 60. Poetry She refers to herself, not unlovingly, as a boy-girl. Towards the center of the poem, that desire for a guiding maternal figure enters with the lines, Mother, where are you? Back of the throatto teeth. From "Oil" by Fatimah Asghar | Poetry Magazine From "Oil" By Fatimah Asghar We got sent home early & no one knew why. For poet Fatimah Asghar, the word 'orphan' has more than one meaning. It is a paean to her familyblood and notwho she turns to steadily, out of the past and into a shared future: weve survived the long / years yet to come I see you map / my sky the light your lantern long / ahead & I follow I follow.. American Poetry Review - Fatimah Asghar - "when we thought the world would end, I didn. Raye Hendrix is a poet from Alabama who loves cats, crystals, and classic rock. John talks about his new book Kontemporary Amerikan Poetry, learning how to focus Pat Frazier is the National Youth Poet Laureate of these here United States, and alone. "[16], Brown Girls received an Emmy nomination in 2017 in the Outstanding Short Form Comedy or Drama Series category. As a subscriber, you have 10 gift articles to give each month. With If They Come For Us Asghar joins a rich history of Partition literature. In these poems, Asghar invites us to stare into the wound andhopefullylearn from it. But Asghar recognizes the limits and violence of language. Coming out of the vibrant Chicago poetry scene where she made a name for herself as a slam poet, her writing is as informed by slams overt linking of the personal with the political, as it is by formal experimentation and lyricism (she cites Douglas Kearney and Terrance Hayes as influences). & my boy, my lovely boyhe clawed & bit & cried just likewe were back on the dirt playground. Shes also this weeks guest. Every single person that visits Poem Analysis has helped contribute, so thank you for your support. As though I told you how the first time.Everyone always tries to theft, bring them back out the grave.Let them rest; my parents stay dead. It is sacred, like the blood of Christ, and sinful, in that its stains signal guilt. An orphan grapples with gender, siblinghood, family, and coming-of-age as a Muslim in America in this lyrical debut novel from the acclaimed author of If They Come For Us In this heartrending, lyrical debut work of fiction, Fatimah Asghar traces the intense bond of three orphaned siblings who, after their parents die, are left to raise one another. For terms and use, please refer to our Terms and Conditions Men, take & take & yet you idolize them still, watchyour auntie as she builds her silent altar to them. I count / all of the oceans, blood & not-blood / all of the people I could be, / the whole map, my mirror. Unsure of her home in America, Asghar finally feels that she has a place in the world and takes pride in her Afghani heritage. Asghar told NBC News of her friendship with Woods. These poems return to the question of what home means, asking what it is to be in a body that doesnt always feel like a safe place. Copyright 2010-2019, The Adroit Journal. FATIMAH ASGHAR 145 Ive never been to my daddys grave.My ache: two jet fuels ruining the suns set play. Her references to pop music, odes to her pussy, and jokes about microaggressions are purposefully incongruous, and with them she defies the gaze that Zhang and Mehri write about. Kalmeans I wake to her strange voice. "[14], In 2017, Asghar and Sam Bailey released their acclaimed web series Brown Girls. Fatimah Asghar is a poet, filmmaker, and educator. Subsequent poems choreograph Asghars dynamic reconciliation and continued battles between her cultural identity, sexuality, and position in America. Poetry Nov 2, 2015 3:34 PM EDT. youre kashmiri until they burn your home, she writes in the first Partition poem, delineating the ways bodies and identities are at the whim of the shifting logic of borders. Theres noplace to see them again. A collection of poets and articles exploring Asian American culture. Yesterday meansI say goodbye, again.Kal means they are the same. The blood clotting, oil in my veins. I know you can bend time.I am merely asking for whatis mine. Asghar in a Pakistani, Kashmiri, Muslim-American author, creator, poet, screenwriter and educator who grew up in Cambridge, Massachusetts. again, his legs slammingconcrete, my chest heavingwhen we ran from cops, the night they busted the river partyagain when I smashed the jellyfishinto the sand & grinded it down. "In. (The Partition was the division of British India into India and Pakistan in 1947, which, Asghar writes, resulted in the forced migration of at least 14 million people as they fled genocide and ethnic cleansing. His "coven" of children the eldest, Noreen, followed by Kausar and Aisha is plummeted into orphanhood and watches his funeral on VHS. In essence, the speakers world is as dissected and limiting as the Bingo board. it makes of my mouth. Asghar is a member of the Dark Noise Collective[3] and a Kundiman Fellow. This conflict ended in anything but compromise. Kal. Academy of American Poets, 75 Maiden Lane, Suite 901, New York, NY 10038, my people I follow you like constellations. Its estimated that 1-2 million people died and 75-100,000 women were abducted and raped in the ensuing months.) Asghar chooses to conclude this intricate choreography with the titular poem If They Come For Us. In this piece, Asghars lyrical prose intensifies as she leaves readers with tangible revelations about the simultaneous pain and joy of having ones being so intimately tied to a land. She is also the writer and co-creator of the Emmy-nominated Brown Girls, a web series that highlights friendships between women of color. She is also the writer and co-creator of the Emmy-nominatedBrown Girls, a web series that highlights friendships between women of color. Monroe's "Open Door" policy, set forth in Volume I of the magazine, remains the most succinct statement of Poetry's mission: to print the best poetry written today, regardless of style, genre, or approach. The expansion of the popular landscape of poetry leaves more room for writing that isnt limited to representation, and for a readership outside of the white gaze. Sign up for the Asian American Writers' Workshop Newsletter: Asian American Writers Workshop Give me my mother for no, other reason than I deserve her.If yesterday & tomorrow are the samepluck the flower of my mothers body. Asghar is a member of the Dark Noise Collective and a Kundiman Fellow. Big and muscular, neck full of veins, bulging in the pen.Her eyes kajaled & wide, glued to sweaty american men. Fatimah Asghar is the author of the full-length collection If They Come For Us (Random House, 2018) and the chapbook After (YesYes Books, 2015). Can't blame me for taking a good idea. Is it the physical ground that separates, or the people, whose homes, languages, and rituals are woven into the land? Neither human sympathy nor nature's bounty can fill the void left by her parents' early . She has also had her writing featured on outlets like PBS, NPR, and Teen Vogue. What is home if its a place youve never been to and cant touch? We would like to collect information during your visit to help us better understand site use. For Dark Noise, the work of the poet is inseparable from politics, and If They Come For Us is a collection that reflects those shared aesthetic and political commitments. Fatimah Asghar, writer and filmmaker Naomi Joshi Writer, artist, and filmmaker Fatimah Asghar refuses to be defined by genre. Fatimah Asghar's poem, "If They Should Come for Us" is the title poem of the poet's debut full-length collection, If They Come for Us, published by One World/Random House in 2018. But twist she does, and by doing so, opens herself to everything, from painful truths to the kindness of strangers. Orphaned as a child and marginalized in America, Asghar captures the plight of alienation on a personal and political scale. 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